lovers always lose. suck it up.

TODAY saw the initial announcement of the SappyFest #4 line-up, and I have to say it's made today the best day in a long time. You can find the entire lineup as it's been presented at the Sappy Records website but I'm going to go over a little bit of it here, personal favourites and the like.

As the poster says! SappyFest is happening from July 31st to August 2nd in Sackville, NB, at various venues. Last year it was George's Fabulous Roadhouse, the Vogue Theatre, the Sackville United Church, and a mainstage tent on Bridge Street, with some ancillary action going on at Struts Gallery. I can only assume we're going to see the same thing this year, which will be beyond fab. So beyond fab!

So who will you see if you spend the $50 for the early bird weekend pass, available for the next two weeks from TicketPro? Well! First of all, Julie Doiron will be kicking around as she usually is, being one of the driving forces behind the festival (along with Paul Henderson). She'll be playing solo and also with Eric's Trip, who I hope need no introduction. Me, I'm a maritimer who has never seen Eric's Trip, so I am beyond stoked for that show. For those of you who don't know them, try to hunt down their albums Love Tara or Purple Blue, two personal favourites. Sub Pop records, mid '90s; a hard-rocking flannel-wearing good time.

A second headliner of sorts (though it's all pretty communal) is the Dan Bejar vessel Destroyer. Now, I've never seen Destroyer live, but I've been listening to him for a few years now, and I'm mighty excited for that show, too. You might call what he does 'chamber pop' but I'm not really one for using genres to describe what people do. The only real way to do it is by sound. I guess I'm not really cut out to be a music blogger, I love music far too much! But, I digress. Once, I heard Bejar's voice described as sounding like that villain Professor Hinkle from the old Frosty the Snowman TV special. I'd call this description apt. Apt, and hilarious!

I'm awfully psyched about Ohbijou playing. They're an indie pop outfit with lots of strings fronted by miss Casey Mecija. They're second LP, Beacons, has just been released today. Once I get ahold of it, and if I'm feeling particularly industrious, expect a review! I'm not sure when I'll get my hands on it, though. Between the Sappyfest announcement and the new album, today is a great day for Ohbijou fans. Hopefully, though, they don't just stick to new material at the festival! One way or another, though, I'm psyched to finally see them live.

Given their newfound connection to Sackville's Shotgun Jimmie (who is also playing!) it's no surprise that Attack in Black is back for another edition of Sappyfest. It has me wondering, though, will I get to see I'm A Rock, their new duet with Julie Doiron, live on stage? I picked up a 7" at a Shotgun Jimmie show back in December with that track on it, and hell, it's more worn out than any other piece of vinyl I own. Beautiful song, absolutely beautiful.

Speaking of possible duets, $100 are back for another year at Sappy, and now their Simone Fornow has given us a duet with Shotgun Jimmie on his new record, Still Jimmie. The track is called Quicksand, and in my mind it's one of the better tracks on the record. If you look down the blog at my review of that record, I think I've got it posted. Now, I've never seen $100, but this is a regret. Their album is one of my most-played, there's something about Simone's voice that I just can't shake, can't get out of my head. She has, honestly, the perfect voice for the tearful, beerful alt-country these guys put out.

No one else I've spoken with seems as excited about Timber Timbre as I am. Mostly, they just haven't heard of this Taylor Kirk project--but trust me, they will. He's currently on tour out in the West of Canada with Ghost Bees (who I'm hoping are one of the TBA acts... fingers crossed) and I think I'd describe him as a Canadian version of M. Ward. Though his new album (his first on Arts & Crafts) is a bit less folksy and a bit more traditional lo-fi, I'd still love to see him share a bill or even share the stage with Old Man Luedecke.

Oh, did I mention? Old Man Luedecke, one of my favourite concerts from the last year, he's playing once more. The last time I saw him was at the Vogue during the CHMA Stereophonic Fundraiser, when Julie opened for him. There is something so brilliant about this man and his banjo, something about him that can get a theatre full of people clapping and stomping and singing along. An Old Man Luedecke concert is an experience you just can't miss out on, it's one of the most beautiful things you can ever experience.

There are so many more who I want to talk about, but I'm running out of time and this thing is running long. Maybe I'll write an addendum to the post tomorrow. Anyway, be prepared to see Halifax's number one dance party Windom Earle, Stereophonic headliners Wintersleep, the ethereal Laura Borealis, as well as Ladyhawk, Snailhouse, Dog Day, Shapes & Sizes, and oodles more! See, just there, that could be an entire second post. Maybe it will be.

I'll see you all in Sackville.

There has always been a light.

What can I said that hasn't already been said about Jim? He's a little bit quirky, a little bit eccentric, a little bit silly... all things that I think embody Sackville, and I think Jim is one of the reasons they do. He and Fred brought so much of what I love about Sackville back with them from Dawson City (not least of which being Shotgun & Jaybird) and what was already here they helped grow. I don't think that Sackville would be the town it is with the aura it has without Shotgun & Jaybird, all of them, Jim, Fred, Paul, Julie... but I'm running away with myself. This is a post about the new record, nothing more.

So then what is the new record? It's mighty different from The Onlys, which in turn was mighty different from The 6000 True Stories of Love, so it can be said that Jim is a bit of a chameleon. (If I ever run out of new stuff to review, watch for retro reviews of these guys coming up..) Still Jimmie is a harder, more cynical record. I think this is best displayed in how these two records start out.

Duet starts: "Let me play you a song, and if you like it you can sing along, and if we make it all the way through it, we'll do it again but then we'll call it a duet." vs. Mind Crumb's "I'm fine, I'm fine, I'm super-fine. I'm tired, I'm tired, tired all the time. Go back, go back, go back anytime; go back to find: did we really mess it up?" and this really sets the tone for the record. Don't get me wrong. I love the record, I'm not trying to put it down. But the guitars are so much more powerful, and the underlying theme seems like longingly looking into the rear-view mirror as you're driving away from something you loved but just couldn't bear anymore.

Last time out, we had an unforgettable and adorablue duet on The Onlys featuring Ilse Kramer. This time around, we have another duet, this time with $100's Simone Fornow, and if you know anything about $100 or Fornow's voice, you know to expect nothing close to Bedhead as far as Quicksand is concerned. That said, it is a beautiful and sad tune, and I for one think that their styles and voices complement each other fabulously. It fits with the tone of the album. I like that, the album really does function as a whole, a cohesive and beautiful whole. Good job, Jim. Good job.

The guitars come in much harder on this record, but none of Jim's quirkiness is lost. The songwriting is still the same, like the title says, he's Still Jimmie. Used Parts sounds like it could be on The Onlys, its a perfect indication of that Jim we know and love: "Good luck building buildings for bored historians, or finding used parts for your Delorean". Come on, he references both Deloreans and Bricklins in the same song, who else do we know who could do that? He's still the same fella, giving us the same thing he's always given us. The subject matter may have changed, but his delivery has remained unchanged. This is a fantastic album, and if you haven't heard of Shotgun Jimmie yet, you should look into him! Check out his myspace. You won't be disappointed.

Shotgun Jimmie - Waist Deep In The Water
Shotgun Jimmie - I Asked Cupid

Rating: 8.5/10
Released: 10 March 2009

Stay Fabulous, Sackville!

Surely you've read by now if you have any history following this blog of George's Fabulous Roadhouse. It's one of a few venues for music here in Sackville, and I rated it my best of 2008. Jason Collett, the Tom Fun Orchestra, Justin Rutledge, Wintersleep, Olenka & the Autumn Lovers, Plants & Animals, and countless countless others!

Fact is, the CBC has picked up on the awesomeitude of George's, and in a Radio 3 contest has first named it among the 100 best venues in the country, subject to voting and then becoming one of the 50 best, and it has recently made the cut, along with only two other East Coast venues (none in Halifax!), to the TOP 20 in Canada! Voting is now on from this Top 20 list to discover the best venue in Canada, and you can vote in the poll here. Please note: you will have to sign up for a Radio 3 account, but it only took me about two minutes, so it's not that difficult!

For those of you in Sackville, this Friday night there is a concert at George's, featuring he who has been dubbed Sackville's mascot, Shotgun Jimmie, alongside Construction & Destruction and Roy Earlington. Come out and cheer on George's Roadhouse for the title of Best Live Music Venue in Canada!

Stereophonic, Day 4 (Pt. 2)

some photo credit to vanessa blackier (the good ones)

I think I've pinned down why I felt so off on Saturday. That afternoon it had been my friend's birthday and over the course of an hour and a half I had had about ten beer. I was mostly sober by the time the shows rolled around, but there's no denying that that would have had a startling effect on me. I don't like beer. Me, I'm a wine-drinking man, as my bottle collection will inform you. I don't know why I agreed to do a century with them. I really don't know why I was one of only two to pull through all the way. But more on that if you ask, no more here.

When I got to George's, for this penultimate show of the Stereophonic festival, PheasantCougarBear was playing something I didn't really enjoy. I like the individual members, all students here at Mt Allison, but the music left a foul taste in my mouth. When I got there, I wanted to just settle in at a table and have a drink, before the show started. I figured since I left Struts so early, nothing would be happening yet at George's and I'd have some quiet time. No such luck! But oh well. If you want to see PheasantCougarBear's set, or indeed some others from the night (including THE STANCE, who rocked my socks right off, but more on that later), check out CultureHub.ca, a Saint John based videocast site. Apparently they'll be posting more videos from the night as time goes by! Maybe you'll even get a peek at me; watch the crowd for 3D glasses!

After PheasantCougarBear there was a little break as people arrived and whatnot, came in, got settled, the rest of the crew from Struts came. The Stance played first, and I'd heard nothing of this band before a few days ago when I was doing my CHMA training and one of my co-trainees played a cut from their album. I thought to myself, well, fuck, why haven't I heard of this band? Why haven't I heard that they're playing? They were a late addition to the festival, along with New Royalty who are playing tonight, but who I reported on. Anyway, they really impressed me, and I'm snatching that record from the offices as soon as I can, since they didn't have it for sale. I described them to a buddy of mine at the time as 'the Black Keys if they wanted to play dance music'. You can catch a video of them at that website I mentioned earlier. They were a whole lot of fun, I thought. Definitely check those boys out! I wish I knew more about them, so I could say more about them, but it's been a while since I've seen a band I'd never heard before and enjoyed them so thoroughly. The last one I can remember doing that was Hey Rosetta!, and they ended up being my pick for best album of 2008.

The Stolen Minks, an all-girl punk group out of Halifax came next. I hadn't seen a punk show of any description in quite a while, unless you count that thing at the pub a few months back. Okay, I hadn't been to a real punk show in a while. I don't even know. Anyway, I liked them! A friend of mine has their record, picked it up at the show, and I intend to give it a listen some time and share that with you, faithful reader. Sharon! Get me that CD! and the Maynards, too! It was a lot of fun to dance to, having had my own indie concert baptism in Saint John's hardcore scene. It was a little bit like going home. Just a little bit, though; those Saint John bands never played like this. And the moshing was a lot more tame. I only got punched in the face twice over the course of the night! Come on, now. It was an ace show, really ace.

In between here they had Elton John playing over the sound system. This led to a group of us singing along to Tiny Dancer and Rocket Man, drunkenly around a table. I have to say, it was quite a load of fun.

What can I possibly say about Shotgun Jimmie, who came on after our little interlude? He's been described as Sackville's mascot and its ambassador to the rest of the world, and he really does embody everything wonderful about the town. He's a magical personality. The first time I saw him--well, I don't think I blogged about it! I think it was the show which inspired the blog, though. It was just him and a looper pedal in a friend's living room, and what a beautiful set that was. This time, though, he came on with a three-piece band and they played a rather wonderful assortment of his solo music. I wish I'd picked up his album at the 67 Bridge show back in November, but sadly, no dice! All I can do is direct you to his myspace and hope you enjoy yourself there. Jimmie is one of my very favourite things about Sackville. One of my other favourite things about the town, as you probably know, is Julie. As you may or may not know, the two of them, along with Fred Squire and a couple of others who have yet to be mentioned in this blog made up Shotgun & Jaybird for a few years--a band I rather miss. However, this evening, Julie bounded up to the stage from where she was next to me in the crowd and joined Jimmie onstage to close his set with a duet on Bedhead, which may well be Sackville's favourite song. You can find it on his myspace. It was just oh so much fun, and I am beyond glad to have that moment now in my memory. Oh Julie, oh Jimmie! What a beautiful night you created.

But that wasn't the end of the night.

No, we were just beginning! After Jimmie came The Maynards, who put on a high energy show that was a lot of fun. Here I was starting to drift out and drink more, not in the front of the crowd rocking my heart out as I usually would be. This is what I meant in the last post by not really being myself. It's slightly upsetting. The Maynards, though, were dorky in a hardcore way, I'm not sure how to describe it. My advice to you is, once again, head on over to CultureHub.ca and check out the video of their performance. It really is a lot of fun, and you're expecting it if they open up their set by saying 'This is a song about eating out your friends! It's called.. Friendilingus!' What I heard of it I enjoyed, and Sharon I want you to get me their CD, too, so I can hear what they sound like. I did enjoy them, from what I could tell, but I need a better indicator! And I'll be back once I've heard an album with a review, you just watch. Super-fun performance that had people making out for free beer. That's all that really needs to be said.

And! Finally! As you likely can tell from the header of this post, the night was capped off with the Tom Fun Orchestra, my very favourite band to see live. Sadly, Morgan, their fiddler, he wasn't with them because of some kind of surgery, yikes. They still put on a rad show, but there was definitely something missing. The focus on the trumpet though was neat, Bert took over some of Morgan's parts. I still really do miss Alicia, and I miss her most when I hear them do Watchmaker. Carmen really is growing on me, but I don't know. Watchmaker is where Alicia really shone. I have to stop talking about them in terms of what's missing, and have to talk about what was gained! They closed the show with the most epic version of You Will Land With A Thud. I have never seen them play the song live, probably because it is just so very long. It was a gorgeous end to the show. They did Bottom of the River, another one I've never seen live, and proceeded into You Will Land With A Thud as the encore. Absolutely beautiful stuff, and it made up for the whole missing Alicia and Morgan. Ian, too, was very Ian. He did a call-back to the last show they played at George's referring to the blackboard aside the stage, which had led the crowd that time in a chant of SWEET AND SOUR MEATBALLS! But this time, oh no, it was covered up! So he pulled the sheet down from the wall and wrote on the blackboard, underneath Friday's Special: THE MIND IS A POWERFUL TRICK! I'm rather hoping it's still there, though I have a feeling it's been replaced by Monday's and then Tuesday's specials. But, one can dream! Oh, Tom Fun Orchestra, you are such a delightful group. You ended the night on a beautiful note. I hope I can manage to see them again soon. Between the stage presence, and the overall awesomeitude of the music, well just, gosh, I can't think of any band I would rather see live.

And with that, Saturday night ended, and Stereophonic took a break, before the final show on Tuesday night, at George's. To which I'm going in an hour.